THE
SANDMAN VOL. 6, FABLES AND REFLECTIONS: Another episodic volume -- for better
or worse
Fables
and Reflections features nine remarkable tales, in which the Lord of Dreams is
directly or indirectly concerned. They involve iconic characters from the mists
of the past to the different pantheons of gods, giving these characters a
Sandman spin-off.
It
is almost unnecessary to say that these stories are not relevant to the overall
story of Sandman. They are more of stand-alone tales. As much as they are similar
to the tales of Dream Country -- as stand-alone tales -- they are, at the same
time, very different. The stories from Dream Country have much more plot
development, and their foundations are much more established to the Sandman
mythos. The stories of Fables and Reflections, on the other hand, focus more on
historical fiction, which renders them kind of disengaging, because they give
the impression that their storylines are not at all significant, or not
directly adhere to, the Sandman mythos.
Three
Septembers and a January features Joshua Norton. Thermidor is set in the French
Revolution. August features August I of the Empire, and Soft Places, Marco
Polo. I find these stories somewhat disengaging because they don’t have much
plot development. Thermidor seems to be the only story that has something going
on. The others are merely stories inside stories, meaning that they solely
focus on dialogue instead of advancing the action. I admit, however, that all
of them have their fair share of subtlety. After all, these are Sandman stories
we’re talking about. I just felt that they have less magic compared to the
other stories.
However,
there is one historical fiction story that stands out above the others. It is called
Ramadan. Even though it doesn’t have much plot development, like the other
historical fiction stories of the volume, it has an air of mystery and magic
that drives the story forward. This is a personal favourite.
But
Fables and Reflections also has stories that don’t focus on historical fiction.
It has The Hunt, which tells the story of a lone wolf; Orpheus, which
introduces the son of Dream; and The Parliament of Rooks, a story about
mysteries. The Hunt, even though its storytelling is like that of the
historical fiction stories -- a story within a story -- is still engaging
because there is actual plot development. As for Orpheus, it is the story in
the volume that I enjoyed the most. The reason for this is that it seems to be
the most relevant in the overall story of Sandman; and, it features
Destruction, the prodigal Endless, for the first time. The Parliament of Rooks
is the weakest in this group, but it doesn’t mean that it is bad. The stories
contained in this story are also interesting, and there is subtlety in the
closing lines.
The characters
of this volume are also quite interesting. I mean, who wouldn’t want to see
August and Marco Polo have their own Sandman spin-off? Yes, it is interesting
to see these familiar characters from history, but as I said earlier, their
stories are not strong enough because they don’t have much development. Perhaps
the most important part of the characterization is the introduction of Orpheus
and Destruction. They seem to be relevant to the grand scheme of things.
Overall,
Fables and Reflections is still an enjoyable read. The writing style lives up
to the Sandman franchise, though I admit that it is much weaker compared to the
other volumes. It becomes even more apparent because A Game of You, the
previous volume, is such a strong volume in terms of the writing. But this
doesn’t mean that it’s a bad volume. The others are just so great that my
expectations have skyrocketed. After all, we’re talking about one of the most successful
and influential comic books in history.
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