THE
SANDMAN VOL. 3, DREAM COUNTRY: Episodic chapters -- for better or worse
Dream
Country features four independent episodes of The Sandman; the story of Calliope,
a woman used by a novelist as a muse; the story of a cat that has a front row
seat on humanity’s tyranny; a performance of William Shakespeare’s A Midsummer
Night’s Dream; and the story of a Metamorph who wants nothing but death.
The
fact that this volume is episodic, that it does not feature a singular
storyline, is both good and problematic. What makes it good is that it expands
the Sandman universe; it gives the readers fresh plot points that widen the
scope of the overall story. It is always fun to see different perspectives from
different creatures. It becomes even more fun when the readers see how these
creatures are affected by the Sandman mythos. What makes it problematic is that
the franchise has already established a plotline from the first two volumes, so
it should have continued the trend. Sure, these predecessors don’t logically present
a chunk of a singular story; they are more of stand-alone storylines -- like story
arcs. Still this is the reason why I think this third volume fails to give me a
significant impact; it simply lacks the interweaving characteristic of its
forerunners.
This,
however, does not make the volume bad. In truth, the individual chapters are
remarkable in their own right. Calliope is an interesting portrayal of humanity’s
enslavement in its own dreams. It shows the readers that making dreams as their
masters can also have negative consequences. Aside from that, this story has
opened up intriguing storylines that could be further expanded in different
volumes. Calliope’s character is effective on pulling this off. A Dream of a
Thousand Cats, on the other hand, has a moral that somehow contradicts that of
Calliope’s. The story portrays the positive consequences of dreams -- no matter
how insignificant they may be. This contradiction shows us the two sides of the
dreaming coin. This truth makes these stories worthy to be under The Sandman’s
banner.
A Midsummer Night’s Dream records a fictional performance of William Shakespeare’s work with the same name. The mere fact that this piece won an award is enough proof that it is worth a read. The last story, Facade, is also not something to be ignored. It ponders ideas regarding death and certain psychological dilemmas. It has also introduced the readers to a different storyline that involves the Metamorphae -- and this, again, is a good expansion to the Sandman’s story. But the best expansion this episode has done is regarding Death, Dream’s older sister. It is always a joy when a story features a recurring character; it gives room for the readers to explore her person further.
A Midsummer Night’s Dream records a fictional performance of William Shakespeare’s work with the same name. The mere fact that this piece won an award is enough proof that it is worth a read. The last story, Facade, is also not something to be ignored. It ponders ideas regarding death and certain psychological dilemmas. It has also introduced the readers to a different storyline that involves the Metamorphae -- and this, again, is a good expansion to the Sandman’s story. But the best expansion this episode has done is regarding Death, Dream’s older sister. It is always a joy when a story features a recurring character; it gives room for the readers to explore her person further.
The
writing lives up to The Sandman’s name. The prose is lyrical and very artistic
in the ears. However, there are some parts where this poetic style isn’t
exploited, to match the atmosphere of some scenarios. The alternative voice
used is still somewhat lyrical, and its difference with the usual voice is
almost non-existent that readers who don’t give particular attention to the
writing will surely miss it. This means that the prose remain consistent all
throughout the volume.
As
what I have said in my reviews of the previous volumes, I really couldn’t
criticize the technicalities of the art style, for it is beyond my field. The
only thing I can say is that I like the art of this volume more compared to the
second volume, simply because the colours are more vibrant and the lines are
not overdone.
The
Sandman Vol. 3, Dream Country, has continued the trend of above average quality
in The Sandman series. However, this is the least impressive out of the first
three. This is only a personal matter, for I think I would have enjoyed the
volume more if it featured a singular storyline. Without personal preferences,
and looking at the work only with its technicalities, this volume is still an
awesome read. Awesome? Of course! After all, this is The Sandman we’re talking
about. Every volume is impressive in its own ways.
Related
posts:
Book Review: The Sandman Vol. 2, The Doll’s House
Book Review: The Sandman Vol. 4, Season of Mists
Book Review: The Sandman Vol. 5, A Game of You
Book Review: The Sandman Vol. 6, Fables and Reflections
Book Review: The Sandman Vol. 7, Brief Lives
Book Review: The Sandman Vol. 4, Season of Mists
Book Review: The Sandman Vol. 5, A Game of You
Book Review: The Sandman Vol. 6, Fables and Reflections
Book Review: The Sandman Vol. 7, Brief Lives
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