NORTHANGER
ABBEY: The story just exists. There is no immediate conflict
Northanger
Abbey is Jane Austen’s first novel to be completed. However, it is among the
last ones to see the light of publication, together with Persuasion. It follows Catherine Morland, a gothic novel
enthusiast, as she visits Bath with family friends Mr. and Mrs. Allen. There,
she meets new friends like the Thorpes and the Tilneys, the latter inviting her
to their estate, the Northanger Abbey, which, from being a gothic novel
enthusiast, she expects to be a place full of horror and mystery.
My
problem with this book is its lack of immediate conflict. The story just
portrays Catherine Morland’s visit to Bath, where she attends balls and meets
new people. There is no clear direction in the story -- there is simply no goal
to achieve. Sure, she is trying to gain the acquaintance of her love interest,
Henry Tilney, but this is not a conflict at all. Aside from that, the story
delves in to random adventures that don’t contribute to the overall story. The
only adventure that seems to supply a legitimate plot point is when John Thorpe
lied to her that the Tilney’s have already postponed their supposed walk with
her. This has led to a misunderstanding between Catherine and the Tilney’s, as
they have seen her with the Thorpes while they have been walking. This
misunderstanding is perhaps the first legitimate conflict in the book, which
happens just before the book hits the one-hundred-page mark. It is safe to
assume that readers will not be thoroughly entertained when a book’s conflict
takes too long to establish itself. Just as the book has been getting
interesting with the misunderstanding, the conflict has been resolved as fast
as it has risen -- and the book is back to having no conflict at all. If it isn’t
for the plot development where Isabella Thorpe and James Morland have been engaged,
I would have lost interest entirely.
The
second half of the book focuses on Catherine’s visit to Northanger Abbey, which
starts out interestingly. What makes it interesting is Catherine’s assumption
of horrific and fantastical elements in the abbey. It adds a unique flavour to
the book. However, like the misunderstanding with the Tilneys, this has been
suspended early as well, as Henry Tilney dismissed her assumptions. But the
story remains fairly interesting, as new plot developments have been
introduced, like when James Morland has given Catherine the news that his
engagement with Isabella has been broken. The real spice of this plot
development is how it has been used to introduce the true nature of Isabella
Thorpe. The readers are brought in to the concept of false friendships and
feelings.
Personally,
I find the last chapters problematic. They have been successful in introducing
new conflicts, but the way they have been presented is not of my taste. The
reason for this is a slight shift of the writing style. The last chapters are
presented as a flat narration, wherein no dialogues have been included. They just
tell the readers what has been happening. I couldn’t help but find this
problematic because they seem to be a bit rushed; I think there could be room
for expansion.
Speaking
of the writing style, Jane Austen’s is on the ‘more complicated’ side of the
classic writers’ map. She exploits commas and dashes well. What makes her prose
even harder to read is the fact that she immediately shifts in her pronouns.
This is most evident when Catherine is the subject of the sentence, but the
next sentence’s subject is a ‘he’. Personally, I find this a little confusing,
so I search for the ‘he’ she is referring to in the earlier part of the
paragraph. As a result, I couldn’t speed-read this book. However, this is just
a personal matter, and does not mean that her writing style is generally
confusing.
Overall,
Northanger Abbey is not a book that will drive the readers forward through
conflicts, but through interesting plot developments. This could be problematic
for some, for the lack of conflict could bore them; but this could be gripping
for others, for the interesting plot developments could put them on the edge of
their seats.
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