CHRONICLES
OF BARSETSHIRE 1, THE WARDEN: Barsetshire is a very interesting fictional
county
This
book tells the story of Septimus Harding, the warden of Hiram’s hospital and
precentor of Barchester Cathedral, in the fictional county of Barsetshire. He
is drawn to a world of scandal, as he is judged liable to possessing excessive
income from a charity that is supposed to benefit others.
The
story of The Warden is simplistic and complicated at the same time. It is
simplistic because there are only a few threads that weave the story. There are
no foreshadowing, no subtle twists and turns, no intricate plot points; it
moves to a very specific direction. It just tells us the protagonist’s
struggles, as his world is shaken by controversy. This could be a problematic
trait, for it could bore the readers, but this is not the case for The Warden,
for it has its own share of complication behind its simplicity. This
complication shows itself in the depth of the foundation of the story; the
story establishes the history of the fictional county and its prominent people
in a very solid way. They are intricate enough to be a legitimate groundwork of
interest.
The
story is not perfect, however -- particularly the second half. The first half
of the book is very straight to the point, but some parts of the second half
somewhat drive the story to directions that don’t really benefit the overall
story. The perfect example for this is how the protagonist is drawn to random
places, as he waits for ten in the evening for his interview with Sir Abraham
Haphazard. Sure, his random adventures have been incorporated with his thoughts
and feelings about the coming events. But I still find them unnecessary, and
they could be removed entirely.
This
simplistic yet complicated story is written in a style that is very easy to
read. Considering that this is a classic, it is not very surprising that the
sentence construction is flooded with commas and punctuations. However, the
vocabulary employed is simple enough to make the complicated structure
understandable. The author also hasn’t utilized an over-descriptive voice,
which is a good thing, for it gives the readers plenty of room for their
imagination. But this hasn’t been very consistent. There are some parts of the
book that suffer from too much description, and I’m not really sure what has
caused this change of style. Maybe it is because of the establishing of certain
places in the fictional county, so the readers could have a clearer picture.
It
is also important to note of the author’s attempt at experimental metaphors,
which is very evident in the chapters ‘Iphigenia’ and ‘Mount Olympus.’ This
attempt could trigger negative reactions from the readers, for it requires
certain knowledge of some educational departments. However, as a personal
matter, this attempt has been effective. I find it to be very interesting and
bold. The only problem I have with it is its lack of explanation regarding
certain elements.
This
book also has its share of well-drawn characters. Septimus Harding, Archdeacon
Grantly, John Bold, and Tom Towers are distinct enough to leave an impression.
What makes it even more impressive is the fact that these characters don’t even
enjoy big amounts of time in the pages. Still, they seem to be very well made
characters because of their dialogues and decisions.
Overall,
The Warden is an interesting read. Sure, it is not very experimental and
innovative, but its simplistic yet complicated approach is enough to captivate
readers in a story that is set in a well-founded fictional county, which, I
must add, is inhabited by a pool of interesting characters. This is just the
first book in the Chronicles of Barsetshire, and I enjoyed it. Surely, I’ll
read the other books in the series, for the county of Barsetshire has truly
captured my curiosity.
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